A month back, I tried to create a Writing Packet. The Desk Jokes came quick and hard. It took me all of fortyfive minutes to fill up two pages with mostly-good jokes about current events. And then I got really nice ideas for two sketches. I started watching videos of Jehova’s Witnesses in action, as my sketch was about that. And then it got too late, and I went to sleep.
The following morning, my two sketch ideas seemed lame. I was loath to touch them again. Thinking about them makes me physically ill.
It’s not because those were terrible ideas. Even if they were, it shouldn’t hurt to just write them out. Usually we are bad judges of our own writing ideas, and the important thing is to be plodding along and cranking out as much as possible. But if I can’t seem to write something in one session, it’s done.
Which means I have tons of half-baked ideas that haven’t reached their full potential. I don’t incorporate feedback into my work because I don’t want to look at it again. I don’t do second drafts. And that way of working is terrible, terrible, terrible.
Rome was not built in a day. My subconscious doesn’t want to accept that.
I read Amy Poehler’s Yes Please recently. The first chapter is all about how writing is really hard. We don’t hear that enough. There isn’t enough that we are taught about how to be satisfied with a terrible first draft and work on a better second and third and subsequent drafts. I suppose my blogging is one of the reasons I never grasped that – when I blog, it is just the first draft. I don’t edit, I don’t review, I don’t even read again. That’s why there are so many 3000+ word posts which should ideally all be 1000 word posts.
I deal badly with criticism of my work as well. I don’t mean badly in the ‘GTFO, there’s nothing wrong with my writing’ way. It’s more like ‘Ugh, but if I change that, I’ll have to change everything’. Partly it is because I don’t know how to receive and filter feedback. I don’t know which ideas to incorporate and which to discard. There isn’t a clear map on how to go from disconnected thoughts of people who might not be the best judge of writing, to a clear roadmap of what to change and how much.The other part is, my mind seems to consider writing as an arduous task and groans at learning I’ll have to do it all over again.
I finally got the idea for a nice long screenplay, an idea that’ll be good enough for Amazon Studios. I have it mapped right down to the scenes, and I’m too paralyzed to even write Act 1 Scene 1. I can’t seem to get it out of my head that I don’t yet have good ideas on how to make my characters stand out and not just be badly-researched archetypes. I am annoyed at knowing my first draft will be imperfect, nay, terrible.
I can’t get behind the fact that it’s not going to go like the time I discovered stick figure cartooning and spent a whole weekend feverishly drawing. It’s going to take time. Multiple sessions. And I’ll have to sustain my enthusiasm through all of it. I’ll have to spend time daily trying to write.
Which brings me to the big question. How do you keep yourself constantly inspired? So far, anything creative I’ve attempted has been on impulse. I go through an experience, I listen to a shred of music, I watch five minutes of a movie, and I get this feeling, this itch, and I need to channel that itch in a creative way. And I have to quickly put that feeling in words or some other tangible form to keep referring back to it. Usually if I write down how I feel about a sunset and where it’s leading me, if I come back to it two hours later, it’ll read lame to me, and won’t inspire me the same way as before to write down whatever it was the sunset inspired me to originally. It’s annoying.
I guess the trick lies there. To make these ideas bulletproof. To make them sustainable. Even if there’s just a shred of feeling, I should be able to preserve that to be able to come back to it. Right now, I operate on anxiety that I won’t be able to come back to this feeling, so if it’s something that’ll require more than a session to complete, I give up even before I start. That’s what I need to start fighting.
With me, it’s usually art begetting art. And when I say Art, I just mean whatever way I express myself. I listen to a different kind of song than I’m used to and it takes me to a different world and that word leads to something I need to nail down. Or I watch a movie which starts off with excellent characters and then the director ruins it, and I get annoyed and want to rework it the way I saw it in my head. The difficult part is to sustain those raw emotions. Like, the second time you watch a bad movie, it doesn’t irritate you as much.
Like anything, this process requires sustained practice to become better at. I need to set aside time regularly and TRY. Even if I do nothing, I should spend the time doing nothing else if not writing.
That sounds crazy. But that might just work.